Don’t Call Me Chuck: Our Visit to Charleston, South Carolina

November 30, 2012 — Over the past week or so, we visited a few places below the Mason-Dixon Line, but our main destination was always the city of Charleston, South Carolina.

It’s one of those places with a history synonymous with that of the country’s itself. However, it still maintains a unique multinational culture all its own. From some angles it looks like it should be embedded even deeper into the map of the South than it is. From other angles, it’s almost European. And throughout it all runs a distinct African influence.


We stayed in the historic district, an area of the city almost too pretty to drag shoe rubber across. Every vertical surface is a photographer’s backdrop. Every house flashes a historical plaque like a sheriff’s badge. Gas lights illuminate the doorways, Spanish moss adorn the live oaks, and mansions are more common than coffee shops, each boasting an elegant garden so well-maintained that horticultural transgressions must be punished with laws of Old Testament fierceness.

We timed our visit to both avoid crowds and the notorious summer heat, but the city was still vibrant with experiences. It might have been here that the first shots of the Civil War whistled the air, but I will always remember it as the place I was first introduced to pralines, she-crab soup, and fried alligator.


Of course, I wasn’t there to just chew on alligator and take in Southern culture. I was looking for oddities. And I certainly found some. From a cemetery in a swamp to a Civil War submarine to a pirate execution spot. Much more, actually, including sites we saw outside the city limits and during a brief foray into Savannah, Georgia, just two hours south.

Basically, I’ve got a lot of posting to do.

But before I get to all that, here are some random photos I took in Charleston itself, in between the oddities:








The historical marker on this house ends with, "In 1786,
Doctor Joseph Ladd Brown was carried to his room after
being mortally wounded in a duel. It is alleged his
ghost still inhabits the house."












The Blue, the Gray, the Red, and the Gory: The National Museum of CivilWar Medicine


November 25, 2012 — I’m not a Civil War buff, but I do like me a good medical museum. So, standing in front of the storefront façade of the National Museum of Civil War Medicine in Frederick, Maryland, my balk was whether this was going to be a good medical museum.

“Good” is a relevant term, of course, but there are two things I look for in a medical museum: Terrifying implements of healing and grisly examples of biology gone wrong. I was about to see whether a town like Frederick could show me such wonders.


Frederick’s an old stomping ground of mine and a strange town in general. It has long been the unofficial gateway to Western Maryland, the panhandle-type strip of “out there” land sandwiched between Pennsylvania and West Virginia and which would probably be more comfortable as part of either state.

Over time, this town historically derided as “Fredneck” really began to come into its own as people began to realize it was just 30 miles northwest of Washington, D.C. ‘s beltway. As a result, Frederick has become a much more relevant locale to one of the most globally relevant locales in the entire world.

Frederick features a quaint downtown full of old buildings tenanted by boutique shops and restaurants. And squeezed among those shops is a display window that at one time probably exhibited artsy jewelry or retro clothing. Today, it’s a mannequin diorama of a battlefield nurse attending a wounded Union soldier.


Now, I don’t have to tell you that mannequins can be really cool or a large red flag. Either they’re great for some small-museum atmosphere or an excuse for a lack of exhibits. And a pair of glass doors was all that was keeping me from discovering which.

Located in the space of an early 19th century furniture shop/mortuary home, the National Civil War Museum at 48 East Patrick Street is the headquarters of a trio of Civil War sites that also include the Pry House Field Hospital Museum at the Antietam National Battlefield in Sharpsburg, Maryland, and Clara Barton's Missing Soldiers Office in Washington, DC.


When we walked into the museum, the place was relatively well-attended. Of course, we were there on Frosty Friday, Frederick’s downtown holiday event, so the town was full of revelers and wassailers and Christmas shoppers who didn’t mind a brief detour into amputation kits and musket ball wounds.

It only cost $7.50 to get in, and the people behind the gift shop counter went out of their way to make sure I wasn’t eligible for a list of discounts. Apparently, I just don’t live a life worthy of discount.

They directed us to the elevator and told us the best way to experience the museum is to start on the second floor and then work our way back down. Besides just making sense as a general exit strategy, it was soon apparent that it was also a “save the best for last” strategy.

See, the first few exhibits didn’t bode too well for my personal criteria. It had some artifacts around medical schools of the period, veterinary medicine, some clothes and basic medical bags and instruments of the era. The first diorama we encountered was of, well, people standing in line…either signing up for the war effort or earning their medical diploma, I don’t remember.


But then we went down a series of ramps that really made the place seem a lot larger than it was. All the walls were covered in Civil War murals, the dioramas become larger and more detailed…and the artifacts got a lot grislier.

Like multiple versions of the aforementioned amputation kits, pictures of piles of medically severed limbs and men in top hats dissecting medical school cadavers, artifacts from graves, bone fragments that included a portion of skull—all labeled with the names of the soldiers whose skeletons they were once a part of, dioramas of amputations and embalming practices. Even stuff I’d never heard of…like a holding coffin.



The holding coffin was a specially designed casket equipped with metal pans for holding ice to preserve the corpses inside for their wakes. The one they had on display looked like some kind of giant puzzle box, a contraption that I would have guessed was meant to do more violent things to cadavers then gently preserve them for their loved ones.

After spending about two to three times longer than we thought we would in the museum, we finally made our way past the last exhibit--an overview of modern battlefield medicine--and back out into the beautiful world of sterilization, surgical steel, and anesthesia that many of those Civil War doctors made possible.

Obviously, in the end, I found the National Museum of Civil War Medicine to be well worth the time and money. The curators and designers did a good job of creating a small-town museum feel stocked with big-time-museum-quality artifacts.

I mean, they had an antique wax model of a gangrenous arm in a jar of murky fluid and a Civil-War-ear sheepskin condom for protection against syphilis. You could just balance those on a aluminum trash can in a dirty alley, and I’d of been happy to have visited.







Graveyard with an Accent: British Cemetery

November 23, 2012 — Back when I lived in Florida, I had this friend. He didn’t get outside of the state too often. He once told me about his only snow experience. Actually, he told me it two or three times. It went something like this: He was on a rare jaunt outside of the state early one morning when a car pulled in front of him that had about two inches of packed snow on its roof. The weather wasn’t snow weather, so the car had apparently driven from a nearby mountain or had somehow preserved its snow from some previous storm. As they drove, the car hit a bump, and the snow flew off onto my friend’s windshield. “And that,” he would finish, “was the only time I’ve ever seen snow fall.”

Well, I’m about to give you the opportunity to tell an equally annoying story, a way to tell people you’ve stepped foot on English soil even if you’ve never been to England.

But you’re going to at least have to go to North Carolina.


On the island of Ocracoke, that same fishing-rod-shape strip of land off which Blackbeard’s headless body swam laps, is a small cemetery. It has only four graves, and they hold the salty bones of English sailors.

It was the early days of World War II. The attack on Pearl Harbor was a fresh wound and German U-boats were menacing our coasts. The Brits sent us a couple dozen ships to help us deal with those wet Nazis. One of the ships was the HMS Bedfordshire. Despite its official-sounding name, it wasn’t a warship at all, just a regular trawler that had been modified for combat with submarines. Basically, they stocked it with explosives that sunk.

In May of 1942, a U-boat torpedoed it into flotsam. The entire 30-plus crew died, and most of them were lost to the underside of the ocean. Over the next few days, though, four of those bodies washed up on Ocracoke and were respectfully buried in a donated portion of the island’s cemetery.


Since that time, the land was given to England and, much like an embassy or a consulate, is officially considered British territory. So I guess that means if you’re English you can commit a crime and then dive into the cemetery and be as safe from prosecution as a Duke boy on the other side of a county line. I’m not even going to pretend that statement’s not an ignorant one

The small cemetery is tended by the U.S. Coast Guard, and every year they hold a ceremony at the spot to memorialize the crew of this ship. It’s attended by locals, representatives from the Royal Navy, and sometimes even the descendants of those ancient mariners who died on the far side of their ocean.


Ocracoke is only reachable by ferry and, once you’re in the tiny town, best navigated by bicycle or golf cart. We did okay in our car, but there were only a few places to park near the cemetery. Signs directed us right to it, although we passed the small, overgrown Fulcher & O’Neal Cemetery on the way that confused us for a few moments.

However, there was no doubt which one was British Cemetery once we saw it. It’s extremely well-marked and well-maintained almost to the point where it looks more like a garden then a graveyard.

A white fence forms the border of this bit of Britain, and the ground around the headstones is pebbled with little white rocks. A large sign in—naturally—Old English font nestles on a bed of bright flowers. And a United Kingdom flag flies high above it all.

All around the cemetery are plaques and memorials, including the original cross-shaped gravemarkers used before they were replaced with regulation British military ones. One of the memorials is a simple brass plaque stamped with a quote from English poet Rupert Brooke, "If I should die think only this of me: That there's some corner of a foreign field that is forever England.”


Adjacent to the British Cemetery is the original Ocracoke cemetery. Outside of its low brick walls is a single tall headstone. According to the epitaph, it marks the approximate spot of the remains of August Abner McGuire, known in urban myth as “Old Diver.” He died offshore in 1913 while repairing the hull of a ship. His original gravesite has been lost, and the current headstone is relatively recent.

Its epitaph ends with, “Old diver, old diver, what do you say? And he says…nothing!” The phrase is part of a local ghost story. Kids would hide behind gravestones and call out the refrain to passersby. Pretty cool.

Back to the original topic, you’d think that, outside of Britain, British Cemeteries would be pretty rare. And you’re right, but it does so happen that North Carolina has at least two. The second I didn’t get a chance to visit, but it’s nearby on Cape Hatteras, on Lighthouse Road in Buxton.


There you’ll find two more men transubstantiating U.S. dirt into British inside of a short white fence. There seems to be some confusion online as to the identities of these two seamen, but I’ll stick with the account on the National Park Service website. According to it, one is an unidentified shipmate of those in the British Cemetery on Ocracoke. The other is a mariner from the San Delfino, which was also torpedoed by German U-boats around the same time.

These British cemeteries are surprisingly strong examples of how compelled we are by the sacrifice of strangers and a great way to honor it. But if you ever check them out, please go to England itself, too, at some point. Otherwise you’ll be fated to telling corny jokes and people will hate you.



OTIS Miscellany II

November 17, 2012 — Everything in life is a race with death. Travel just seems more so sometimes. Like you're trying to see as much of this planet as you can before you die. Of course, then, if you’re the unfortunate type who wants to write about things after you visit them, it’s like overtime with death. I mean, you pushed your luck to even have visited the place within your earthly allotment and now you want to tell everybody about it with prose and pics?

Well, I've dealt with that before by just stuffing a bunch of random sites into a single quick post. And I'm doing it again. Because I don’t want to die before I tell you about giant baby heads and monster whales made out of felt.



Ponte Vecchio, Florence, Italy: The Ponte Vecchio, or "Old Bridge," spans the Arno River in Florence, Italy. It's ancient, dating back to medieval times, and is literally a bridge lined with shops. It's just something they used to do back then. On the bridge, it feels like a regular street, but head down a perpendicular road, and you'll immediately see just how strange it looks to treat a bridge as zoneable property.



Auction Block, Fredericksburg, Virginia: This is an 160-year-old auction block actually used for slaves. It stands on the corner of William and Charles Streets in Fredericksburg, Virginia, and is a simple, stark reminder of really bad days. Much more effective than many of the sculptures I've seen dedicated to the purpose, I think.


Tristin Lowe's Mocha Dick, Traveling Exhibit: This picture is a bad one because the museum that was displaying this artwork didn't allow pictures and had pretty vigilant guards. Still, a bad picture is no bar for a work as impressive as Tristin Lowe's Mocha Dick. The 52-foot-long felt-covered inflatable is a tribute to the real-life albino sperm whale upon which Moby Dick was based. I love this thing, and calling it an inflatable doesn't do it justice. It has the heavy presence of an actual whale tossed into a gallery. I saw it at the Williams College Museum of Art in Williamstown, Massachusetts, a couple years back, but it's a traveling exhibit. I couldn't find where it is now, but here are some high-quality pics of it on the artist's site.


Jefferson Rock, Harper's Ferry, West Virginia: This buttressed stone pedestal just off the Appalachian Trail and stands above the point where the Potomac and Shenandoah Rivers meet. Thomas Jefferson stood there in 1783 and later wrote that the view was "worth a voyage across the Atlantic." It's a pretty nice view. But I only saw it because I was in the neighborhood.


Mary Dyer Statue, Boston, Massachusetts: Rhode Island native Mary Dyer was hanged in Boston for being a Quaker in a Massachusetts colony run by Puritans. Today, she's one of the Boston Martyrs, four people hanged for their religious beliefs during the mid-1600s. Her death prompted an end to this kind of persecution, though, and she's remembered with a slightly oversized statue in front of the Massachusetts State House. 

In addition to that historical anecdote, she also has a supernatural one. That story goes that on a previous sojourn in Boston, she birthed a extremely deformed but stillborn baby. After hearing about it, Governor John Winthrop had the child exhumed, and describing the deformities as horns, claws, and multiple mouths, made the expert diagnosis of  Satan spawn. By the time she was dubbed a witch, though, she was back in Rhode Island. Of course, as previously mentioned, it was only a temporary stay of execution. 

She's not the only accused witch named Dyer that I've come across. Here's my visit to the Moll Dyer stone in Leonardtown, Maryland.



Big Filming Site, Rye, New York: Yup. That's me at the spot where Tom Hanks decided being big wasn't all it was cracked up to be, despite having the freedom to wear ivory polyester tuxes and have hot women sleep in your bunk bed. The site where they set old Zoltar is on the boardwalk at Playland in Rye, New York. Today, a quarter century after Big was filmed, a Pepsi machine stands in its place. The only wishes it grants are for cans of soda, and only if your dollar bills are relatively uncreased.


Runaway Pond, Grover, Vermont: I happened to pull over to the side of the road to take some foliage shots during a road trip this Fall in Vermont, and saw this: a memorial to a lost pond, just outside of the town of Glover. In 1810, residents of the village tried to create an outlet for a 2 million-gallon pond to help production at a local mill. However, their efforts caused the banks to collapse, and the pond drained and more or less disappeared. They call it Runaway Pond, now. So it's a mildly interesting story made absolutely bizarre by the memorializing of it. People are cool.


Book of Kells, Dublin, Ireland: The Book of Kells deserves its own entry, but they didn't allow photography of it at all. So they get a picture of me with their sign and a paragraph of explanation almost five years after I visited it. Located at Trinity College Library in Dublin, Ireland, this amazing illuminated manuscript of the four Gospels was painstakingly created by Celtic monks some 1,200 year ago. Its pages are large, intricate works of art and seeing them is as akin to a religious experience as you can have without yourself being a 1,200-year-old monk.




Louise Bourgeois' Eyes, Pittsburg, Pennsylvania, and Seattle, Washington: French artist Louise Bourgeois died two years ago just shy of becoming a centenarian, but she's still watching us. Her signature eye sculptures and benches are all across the world. I first came across them in Massachusetts, where she installed glowing lights in their pupils. Since then, I've seen them as part of a fountain sculpture in Pittsburgh, Pennsylvania (top two photos) and on the waterfront of Seattle, Washington (bottom photo).


USS Requin, Pittsburgh, Pennsylvania: Submarines are awesome and you should drop through their hatches any time you have the chance. However, I already wrote about visiting the drydocked USS Albacore in Portsmouth, NH, and my experience at the USS Requin at the Carnegie Science Center in Pittsburgh, Pennsylvania, was pretty much the same: claustrophobic and mildly panicking. Entry is included as part of the admission ticket to the center (which is home to the Robot Hall of Fame), so it's certainly worth checking out.


Day and Night, Boston, MA: This is one of two eight-foot-tall baby head sculptures at the back entrance of the Boston Museum of Fine Arts. They're called Day and Night, I guess since one has its eyes closed and the other doesn't. The sculptures were created by Antonio Lopez Garcia, who hates the world and wants us all to die drenched in nightmare.