Aging Witches: Hocus Pocus Filming Sites


September 30, 2013 – I hate to break this to you, but I’ll try to make it clean: Hocus Pocus is 20 years old this year.

It came out on July 16, 1993, but I only remember it as ever-existing, always on some channel or other during this time of year in nonstop syndication. Each season, I ended up seeing the entire movie three times, just all out of order and in 20-minute sections and usually while I was doing something else...carving pumpkins, decorating, cutting the eyeballs from the faces of models in fashion catalogs.

In fact, I watched it straight through this year for the first time since I-have-no-idea-when just for the sake of this post. Apparently, it’s about three witch sisters hanged in Salem for their Satanic shenanigans who are then resurrected in modern times but must steal the essences of children to survive.

Yup, we watched it here.
Now, whether you think this is a great movie or not completely hinges on what you think of the performances of the three witches, but either way, this movie will get you right in the Halloween. I mean, witches, costume parties, a zombie and a talking black cat, graveyards, and Salem itself…all taking place on Halloween and all backed by the budget of Disney. In fact, the only thing I’ve never really been able to get over in it is Bette Midler’s mouth appliance/lipstick. Maybe also Kathy Najimy’s crooked lip-thing.

I obviously have a problem with mouths, so it might just be me.

It's not just me, right?
Also, let's not forget that the movie is a time-capsule reminder that in the 1990s,
if you wanted to come off as bad-ass, you had to nickname yourself some variation of  "Ice." 
Anyway, I found myself in Salem the other weekend with the knowledge that I was old enough to sympathize more with the witches than the kids in the movie. So, with the weight of so many Halloweens firmly depressing me, I thought I’d visit some of the filming sites. Actually, revisit in some cases, as I’ve been to most of them over the years.

The movie starts out in Ye Olde Salem during the Witch Trials. You’ve gotta kill the witches to get cursed by them, after all. To recreate a 1600s-era Salem, they used, well, a recreated 1600s-era Salem. Salem Pioneer Village 1630 is what it’s called, and it’s a reenactment village located in Salem’s Forest River Park, about a mile and a half from Essex Street.

The place was built in in 1930, but in recent years hasn’t really been used very much as an attraction. Seems like it would’ve been a big draw for a place like Salem, but what do I know about running a reenactment village. Still, even though it’s usually closed, you can see the old cabins through the fence well enough, especially on the side of the attraction that faces the harbor.



The main filming location in the movie was probably Max and Dani’s house, which is just a block or so away from Forest River Park and also right on the harbor. It’s at the end of Ocean Avenue and is really easy to find since it has that unique cupola on its roof and neighbors only on one side.

Still, it really needs a historical placard labeling it the “Hocus Pocus House.”



Of course, most of the characters in the movie were kids and it took place in October, so that means school. The school they went to was called Jacob Baily High School in the movie. In real life, it’s the old Phillips Elementary School building, which stopped being a school about a year before the movie filmed there.

This building is right on the south side of Salem Common. They also filmed the scene where Max tries to get Allison's phone number right in that part of the Common, as well.



Speaking of Allison, her house is a pretty prominent Salem site. It’s the Ropes Mansion, at 318 Essex Street. It was built in the early 18th century and is currently operated by the Peabody Essex Museum.



The house was the site of the rich people party. You know, the one where the guests were all dressed in powdered wigs, elegant hoop skirts, and gold-threaded breeches. The exteriors for the other party, the more down-to-earth, everybody-dress-as-a-monster-or-Madonna one where Bette sings I Put a Spell on You, took place at the Old Town Hall, right in Derby Square.


The last Hocus Pocus site that I’ve got here isn’t actually in Salem, but in neighboring Marblehead. It was here, at Old Burial Hill, that the daytime cemetery scenes were shot. The night shots were all filmed on a set.



Old Burial Hill is a great cemetery. Built in 1638, it’s one of the oldest graveyards in New England. Also unique is its geography. Set on a rocky hill so that the gravestones are at varying levels, it commands a great view of Marblehead and the harbor beyond.

If you have to battle a trio of witches, definitely do it in a cemetery like this.

And if you have to make a film about witches, do it in Salem.

Old Burial Hill is also the site
of the amazing Susanna Jayne headstone.
A gravestone prop from the nighttime cemetery set, now at the
Haunted Barn Movie Museum.
And while you're in Salem, you can see a life-sized Winifred Sanderson 
(Bette Midler) on display at Count Orlok's Nightmare Gallery.














Twelve Hours in Vermont


September 29, 2013 — I don’t know how you feel reading this, but I’m feeling exhausted as I write it. The good kind of exhausted. The accomplished kind of exhausted. The if-I-died-today-it-would-still-take-me-a-long-time-to-recover kind of exhausted.

Yesterday we did a 12-hour, 420-mile road trip through Vermont (although some of those hours were spent in New Hampshire getting to Vermont). Actually, it was longer than that mileage-wise because we took the proverbial wrong turn at Albuquerque at one point and ended up way out of our way at a dead end on a rutted dirt track in the middle of a forest graveyard.

We have a car GPS, two smartphones, and only front-wheel drive, so I’m not sure how that happened.

Most of this particular road trip experience for me was buoyed by the Oxycontin I’m currently on to deal with the fallout from an emergency root canal I had on Friday, but I still think a lot of my high came from driving through a fully formed, peak-foliage Autumn that seemed more like an actual place than an ephemeral season.

The roads just go by faster when the trees are red and orange.


It was our first major road trip of the season, and it just felt good to be on the road, passing across the porcupine’s back of white church steeples that tickle New England skies, the hand-painted plywood signs in every town announcing this fall festival or that haunted-house-for-charity. Seeing all the farm stands overflowing orange and red with pumpkins and apples, and the scarecrows staked into lawns despite whether their services were needed or not.

My plan for writing about this road trip was just to give you a brief overview of it, but it turns out that I’m going to have to delve more deeply into some of the sites in later posts. It’s just that many of them were Antarctic continents cooler than I expected them to be and deserve more attention. Heck, underestimating things was probably the theme of the whole road trip. Which means I’m really bad at pre-research. Or that Oxycontin makes everything better.


Our first stop was two and a half hours north in the Phineas and Ferb town of Danville, Vermont. There, we wandered through the rows of the Great Vermont Corn Maze. It was our marquee stop, the one place that as long as we made it there meant that the entire trip was a success, even if we couldn’t find anything else on the itinerary or if the car broke down or if we got waylaid by mutant cannibals in a radioactive wasteland. At least we did the corn maze.

I’ve written about corn mazes in the past, so I wasn’t planning to write about this one, but I have to do a whole post on it. What was supposed to be a simple autumn tradition turned into the best maze I’ve ever done. And by done, I mean had to take the emergency exit because it didn’t seem like we’d ever complete the maze.

Yes, this maze had emergency exits. It had to. Like I said, story for another day.


En route to our next stop, we inadvertently passed the famous Hope Cemetery in Barre, site of numerous unique gravestone sculptures. I wrote about this one in The New England Grimpendium, and it’s a cemetery I’ve never really dug too much, which is why it wasn’t on my official agenda. But, since we were passing right by it, we took a quick spin through.

Now, four years after my initial visit and experiencing it with a backdrop of autumn doesn’t change my opinion. It’s still kind of a cheesy, cartoony cemetery, even if it is uniquely so. Go see it, of course, if you get the chance. Just mitigate your expectations somewhat.



Speaking of expectations, I had no idea what was going on with our next stop...I wasn’t sure if it was open, still around, if it was just a claptrap shed behind somebody’s house. Still, it was called Spider Web Farm, and just for its name was worth some awkwardness to find out.


Spider Web Farm is a small art project/gift shop in Williamstown run by a man named William Knight for the past 40 years. He culls spider webs by affixing them to boards with glue and then sells them as art pieces. It’s a pretty awesome project and, upon arriving and getting to talk to both Knight and his wife, turned into a pretty awesome experience. Can’t wait to tell you about this one.


From Knight’s Spider Web Farm, we traveled to Leicester to see a statue. This guy’ll appear on some OTIS Miscellany post in the future not because he isn’t cool enough to merit his own post, but because his coolness is of the type that doesn’t need elaboration. You just accept it. Watch: A 25-year-old, 19-foot-tall white ape holds aloft a real Volkswagen Beetle with one manacled arm. See?


Our last stop before heading home to New Hampshire was Laurel Glen Cemetery in Shrewsbury. We were there to see one grave, but, man, what a grave. And what an oddity in general. I honestly thought, based on the images online, that the sculpture would be disappointingly Hope Cemetery-esque, and threw it on the itinerary just to break up the home stretch of our drive.


I mean, even reading up on the John P. Bowman Mausoleum, you basically just learn that a rich guy has a sculpture of himself forever grieving at the door of his own mausoleum. And that’s true, but it’s not just the sculpture that’s interesting, but everything about the mausoleum, from the stuff inside it to the stuff across the street from it to its placement in the graveyard. It’s another oddity I look forward to telling you more about.

But, like I said, I’m exhausted. Exhausted enough that I went to bed last night two hours earlier than I usually do after staying up just long enough to throw down what you’re now reading. This morning I’m still groggy as I touch up the post for public consumption.

Which mostly just means removing about 20 Oxycontin references.












Abandoned, Accessible, and Awesome: Metropolitan State Hospital and Metfern Cemetery

September 28, 2013 — So, yeah, I’ll go so far as to say that ruins are the single coolest thing about the human race. We create amazing structures and then let them rot and go to pot without a thought. Like painting a masterpiece and flinging it into the fire, it’s just style points. After all, the statue of Ozymandias didn’t get a poem. Its ruins did.

And at no time of year is our tendency to ruin more appreciated than now, when a spooky old abandoned building is a perfect place to visit…especially one that comes with its own graveyard.


Metropolitan State Hospital opened in 1930, just two days shy of Halloween, in Waltham, Massachusetts. The 20-building, 400-acre campus was designed to care for the state’s ill and ill-starred, and it had more than a thousand of them. Over the course of the next six decades, it seems to have done its job. I mean, it was a sad place by definition, but I didn’t find any of the terrible stories of abuse and neglect you too often find in antique institutions like these. This former employee has a few interesting stories, though.

The one infamous tale that comes out of the hospital is the murder of a patient named Anne Marie Davee in 1978 by another patient named Melvin Wilson. He killed her with a hatchet, dismembered her, and then buried her in three spots on the hospital grounds.

He was eventually caught…he had seven of her teeth on him, after all, and was moved to the more secure Bridgewater State Hospital before being indicted for murder.


The whole place closed down in 1992 for the usual budget reasons, and within two decades most of the structures and either been torn down and the land resown with apartments (by Avalon, the same company that condo’d Danvers State Insane Asylum) or refurbished for other uses. Except for one…the administration building. I’m not sure why I used ellipses to introduce it.

Getting to the building was simple. We drove right up to it, parked right beside it.


The building is located on Metropolitan Parkway South and is pretty hard to miss. The red brick edifice and its glaring, flaking white portico looms more than two stories above a relatively blank area, a strange combination of out in the middle of nowhere and right in the middle of everything. No buildings are directly around it, but there is an entire apartment complex almost within jumping distance. One side is bordered by forest and a rutted asphalt street encircles the building, so you can easily see it from all sides.

The exterior lives up to everything you expect from an abandoned building. The windows are boarded and bricked up, the walls are overgrown with clinging plants, the lawn is hairy with tall weeds, a signed tacked to one wall frantically warns about asbestos and cancer. Surprisingly and refreshingly, there was only a minimum amount of graffiti, just a few simple scrawlings on the front door area, including the word “Welcome” on the doorstep.



The building still bears its name, the Dr. William F. McLaughlin building (named after a WWII flight surgeon who became a hospital administrator there) high up on the roof of the portico, just under the white-washed Great Seal of the Commonwealth of Massachusetts, with its Native American figure beneath a bodiless arm brandishing a sword in his direction and a Latin motto about peace by that same weapon surrounding it all.

At the time that I visited, I didn’t know about the Davee murder, but thinking back, the place looked like it could have been absolutely paved with the shallow graves of severed body parts.

The site has a great build up, but obviously, there isn’t much for us law-abiding to do there. We walked up the front steps. Circled the building. Tried a few doors (all locked). Took a few pics. Left.


And then, a few weeks later, we returned.

Upon returning home I would learn not just about the Davee murder, but that Metropolitan State Hospital had its own cemetery, a cemetery that was still present on the grounds.

I found its location on Google Maps, and used the GPS coordinates to try to drive directly there. Unfortunately, that plan ended at a metal gate off Trapelo Road flourishing a “No Trespassing. Police Take Notice” sign. Probably just as well. Not sure my car could’ve handled what remained of the road on the far side of the gate.

After almost giving up, I returned to the Dr. William F. McLaughlin building and did some quick Internet searching on the phone. The path to the cemetery seemed to be right at the entrance to the Avalon apartments. But it was going to take some hiking.

Almost immediately after we pulled into the apartments on Metropolitan Parkway North, we saw a metal gate on the left, the kind meant to stop vehicles but not people, with a post nearby that bore some friendly-looking arrows on it.

After parking and walking to it, we saw a small sign tacked to a tree that designated it as part of the Western Greenway Trail. We started down the trail, not sure how far or really if it was going to take us to the cemetery.

Along the way, it became extremely obvious that this dirt trail through a forest was actually reclaimed land. Every so often a manhole/sewerhole (funniest synonyms of all time) was right in the middle of the trail, exactly where access to underground plumbing shouldn’t be.


The trail forked a couple of times, but we stayed on the main part and used my phone to make sure we were heading in the right direction. After half a mile of hiking (or, more accurately, walking), we arrived at a long, low rock wall paralleling the path. It was the outer boundary of the hospital cemetery.


A sign about halfway down the wall named the place Metfern Cemetery. According to the sign, the graveyard was used between 1947 and 1979 by both the state hospital and the Fernald School, a 165-year-old, still-active-but-disintegrating school for those with development disabilities.


Without the sign, the graveyard was hardly noticeable as such. The grass was a couple feet tall, and you had to stub your toe to find the few marked graves scattered around the enclosure. Most of them were just small stone loafs with letters on them. I did find one nicer stone with an actual, intelligible inscription on it, for a John Vensky (1936-1972).


The most prominent items in the cemetery were the large tree growing in the middle and a small altar with a bust of Jesus on it. I also found some shallow steps leading up the slight incline of the cemetery.



After the graveyard, we pushed ahead a bit to see what else was there among the hiking trails. Besides an old water tower, I didn’t see anything really. At one point the Gaebler Children’s Center, a psychiatric institution for kids, decayed grandiosely thereabouts, but today it’s just a stub of pavement leading to open field.

At some point, they’ll tear down the administration building or repurpose it or fence it off from easy access, but the cemetery seems like it’ll always be there to see. I’ve marked the exact location of both on the OTIS Map of New England Oddities. Not really to be helpful, but just because I couldn’t think of an ending for this post.












Our Halloweenest Halloween Nest


September 27, 2013 — Despite the fact that this one picture of our living room fireplace from last Halloween keeps finding its way onto Pinterest and generic design blogs, my wife and I don’t really decorate for Halloween.

We nest for it.


It could be June as far as the outside of our house goes in September and October. We do throw jack-o-lanterns on the porch on Halloween night, but not until we’ve enjoyed those pumpkins inside for weeks.

And the closest most of the rooms in our house get to done-up is the kitchen, when all of our Halloween mugs are dirty and piled in the sink and all the Halloween-themed stuff we buy is just sitting on the counter in plastic bags.

The only room that really gets the Halloween treatment is the living room.

But we take that single room and turn it into our Halloween headquarters. Our Halloween nest. The Halloweenest.

Everything we watch this season will be in Skelli-Vision.
It’s there that we watch Halloween specials and horror movies. There that we eat Halloween treats. There that pumpkin spice and apple cider candles are burning 24 hours a day. There that the electric twinkle of ghost eyes and the soft glow of crystal balls light our lives and the early dark. There that we settle into our couch cushions with seasonal books and magazines.

I like to write the OTIS Halloween Season posts there as well, but most of the times, I just need my study. My muse is a bit sessile. Eh, let’s not be kind. She’s lazy. So my desk gets its own kind of Halloween treatment. I guess “cereal box” is its theme for this year.

I don’t think it will wind up on any design blog.


Anyway, I just wanted to post these photos so you can see where I’m reporting my Halloween to you from.

Come on over sometime.